Arial Rounded MT Bold. Arial /ɛəriəl/, sometimes marketed or displayed in software as Arial MT, is a and set of. Fonts from the Arial family are packaged with all versions of from onwards, some other applications, and many 3. The typeface was designed in 1982 by a 10-person team, led by Robin Nicholas and Patricia Saunders, for. It was created to be metrically identical to the popular typeface, with all character widths identical, so that a document designed in Helvetica could be displayed and printed correctly without having to pay for a Helvetica license. The Arial typeface comprises many styles: Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Black, Black Italic, Extra Bold, Extra Bold Italic, Light, Light Italic, Narrow, Narrow Italic, Narrow Bold, Narrow Bold Italic, Condensed, Light Condensed, Bold Condensed, and Extra Bold Condensed. The extended Arial type family includes more styles: Rounded (Light, Regular, Bold, Extra Bold); Monospaced (Regular, Oblique, Bold, Bold Oblique).

Many of these have been issued in multiple font configurations with different degrees of language support. The most widely used and bundled Arial fonts are Arial Regular, Italic, Bold, and Bold Italic; the same styles of Arial Narrow; and Arial Black. More recently, Arial Rounded has also been widely bundled. Game De Che 2 Full Crack. Main article: Embedded in version 3.0 of the version of Arial is the following description of the typeface: A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century.

The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

In 2005, Robin Nicholas said, 'It was designed as a generic sans serif; almost a bland sans serif.' Arial is a neo-grotesque typeface: a design based on the influence of nineteenth-century sans-serifs, but made more regular and even to be more suited to continuous body text and to form a cohesive family of fonts. Apart from the need to match Helvetica, the letter shapes of Arial are also strongly influenced by Monotype's own designs, released in or by the 1920s, with additional influence from 'New Grotesque', an abortive redesign from 1956. The designs of the R, G and r also resemble.

The changes cause the typeface to nearly match in both proportion and weight (see figure), and perfectly match in width. Monotype executive Allan Haley observed, 'Arial was drawn more rounded than Helvetica, the curves softer and fuller and the counters more open. The ends of the strokes on letters such as c, e, g and s, rather than being cut off on the horizontal, are terminated at the more natural angle in relation to the stroke direction.' , a consultant for IBM during its design process, described it as 'a Helvetica clone, based ostensibly on their Grots 215 and 216'. The styling of Arabic glyphs comes from, which have more varied stroke widths than the Latin,, glyphs found in the font. Uses monotone stroke widths on, similar to.

The Cyrillic, Greek and Spacing Modifier Letters glyphs initially introduced in Arial Unicode MS, but later debuted in Arial version 5.00, have different appearances. A 2010 study involving presenting students with text in a font slightly more difficult to read found that they consistently retained more information from material displayed in so-called disfluent or ugly fonts (,, Italicized were used) than in a simple, more readable font such as Arial. History [ ] debuted two printers for the in-office publishing market in 1982: the 240- 3800-3, and the 600-DPI 4250 electro-erosion laminate typesetter. Monotype was under contract to supply for both printers. The fonts for the 4250, delivered to IBM in 1983, included Helvetica, which Monotype sub-licensed from Linotype.

For the 3800-3, Monotype replaced Helvetica with Arial. The hand-drawn Arial artwork was completed in 1982 at Monotype by a 10-person team led by Robin Nicholas and Patricia Saunders and was digitized by Monotype at 240 DPI expressly for the 3800-3. IBM named the font Sonoran Sans Serif due to licensing restrictions and the manufacturing facility's location (, in the ), and announced in early 1984 that the Sonoran Sans Serif family, 'a functional equivalent of Monotype Arial', would be available for licensed use in the 3800-3 by the fourth quarter of 1984. There were initially 14 sizes, ranging from 6 to 36, and four style/weight combinations (Roman medium, Roman bold, italic medium, and italic bold), for a total of 56 fonts in the family. Each contained 238 graphic characters, providing support for eleven national languages: Danish, Dutch, English, Finnish, French, German, Italian, Norwegian, Portuguese, Spanish, and Swedish. Monotype and IBM later expanded the family to include 300-DPI bitmaps and characters for additional languages.